The room went quiet when I placed the ultrasound photo on the coffee table. My husband, Aleric, looked at it, then at me, while his mother stood beside the bassinet holding the three-month-old baby he had brought into our Greenwich home only days earlier.

This is a chronicle of a resurrection. Not a spiritual awakening born of divine
intervention, but a violent, psychological exhumation of a woman who had been
buried alive beneath layers of cashmere, imported marble, and the suffocating
expectations of the American aristocracy.

The Greenwich estate was not a home. It was a fifteen-thousand-square-foot,
heavily curated museum, and I, Saraphina Sterling, was merely its silent,
ornamental curator. The house perpetually smelled of expensive cedarwood,
polished mahogany, and fresh, suffocatingly fragrant Casablanca lilies—a
perfectly engineered scent for a perfectly engineered life. Everything in this
sprawling monument to generational wealth was designed to intimidate, to project
an aura of untouchable superiority. The soaring vaulted ceilings, the cold
Carrara marble floors that seeped a permanent chill through the soles of my
designer shoes, the antique Persian rugs that absorbed the sound of my
footsteps—it was a beautiful, airless prison.